


14 Weinberg: Sonata for Solo Violin No.13 Weinberg: Sonata for Solo Violin No.12 Weinberg: Sonata for Solo Violin No.11 Weinberg: Sonata for Solo Violin No.10 Weinberg: Sonata for Solo Violin No.Mieczysław Weinberg (1919 - 1996): Sonata for Solo Violin No. 9 Prokofiev: Sonata for Solo Violin in D Major, Op.8 Prokofiev: Sonata for Solo Violin in D Major, Op.7 Prokofiev: Sonata for Solo Violin in D Major, Op.Sergei Prokofiev (1891 - 1953): Sonata for Solo Violin in D Major, Op. 6 Strauss: Daphne-Etude in G Major, TrV 272b 01:24.5 Ysaÿe: Sonata for Solo Violin in E Major, Op.4 Kreisler: Recitativo & Scherzo-Caprice, Op.3 Kreisler: Recitativo & Scherzo-Caprice, Op.Fugue 03:08įritz Kreisler (1875 - 1962): Recitativo & Scherzo-Caprice, Op. 2 Reger: Prelude & Fugue in D Minor, Op.1 Reger: Prelude & Fugue in D Minor, Op.Finally bringing us into the 21st century is Penderecki, whose early training as a violinist stood him in good stead when he composed his virtuosic Capriccio.Max Reger (1873 - 1916): Prelude & Fugue in D Minor, Op.

In A Paganini, Alfred Schnittke revisits another colleague from the past – and one closely associated with the violin. The Korean-born composer uses the theme from Bach’s Musical Offering, but takes it on ‘a walk through the Asian tradition’ in the course of seven variations. These are followed by Isang Yun’s ‘Royal Theme’. The journey now turns eastwards with two solo sonatas, by Prokofiev and Weinberg, that were both composed in Moscow, albeit 20 years apart. In this series of names, that of Richard Strauss may come as a surprise, but his little-known Daphne-Etüde from 1945 is also dedicated to a violinist – his young grandson. 6 for the Spanish virtuoso Manuel Quiroga. Framing the 20th century, the programme starts as a relay race of famous violinist-composers &Reger dedicating his piece to Kreisler, who dedicated his Recitativo and Scherzo-Caprice to Ysaÿe, who wrote his Sonata No. For her third disc, the young Korean violinist Sueye Park has explored the repertoire for solo violin, and chosen works spanning exactly 100 hundred years – from Max Reger’s Prelude and Fugue from 1909 to Penderecki’s Capriccio, composed in 2008.
